Some say they are born of things — desert dust or ocean cliffs, silks and precious stones. You have heard it bandied about, whispered behind curtains. You doubt it. The rich do not have to test their every gold coin, their every truth for falsity.
Regardless.
You are born of flesh and bone, born in the desert sands. The first breath you take leaves sand in your mouth. The taste stays with you all of your days.
--
“Stone?” you say to Ruth. It is not the first time you have asked her this, but this time you press a bit further. “Surely, you have some thoughts on the kind of stone?”
Ruth grits her jaw. Irritation perhaps, or something else. “Nothing special,” she says. You would think that is a lie, but it is how she is. You would say that any stone that made her is special. You do not say it.
Ruth does not hesitate when she continues, “You know the stone that makes up the cliffs? The ones that border the sea? I think-” She breaks off, and you think that it is impossible to know the components of one’s birth. Parents or otherwise. “I think I was made of that.”
You slide next to her. This time you pass her the yarrow before she can ask. “Stone soaked in the lifeblood of the desert. Interesting.”
Ruth glances at you, suspicion in her eyes. It would be hurtful, you supposed, to anyone else, but you are long used to glances of that kind. She says, tone flat, “Saltwater is of little use to desert creatures.”
This is true, but you know all water to be deadly.
--
You do not speak of your youth. You do not speak of where a flash flood soaked desert sands and left you lonely and lost. You do not speak of it. Vividly, though, it lies in your memory. It is tender as a bruise and twice as painful to the touch.
(You remember trailing your parents as they brought their wares from the desert sands to the city streets. You grew up a desert colt, but you had seen the city under Zolin’s rule. You remember water suddenly where there had been none before. Your parents had said to you as a foal, “If you are lost, we will find you in the city. The desert will kill you for standing still, so find us in the city.” You went to the city. You remember the city on fire. You had hoped to never see it so twice.)
Those days are dust, however, swept aside by everything else you have been. And you have been many things. The first thing you were was a student, in how to build immunity to poison and slip a knife between the ribs. Since then, you have sang and drawn and danced and lied, all in service to the knife.
It would be wrong to say you were raised by those who taught you, but it is certainly fair to say they were the last family you had. Clear as summer skies, you can remember your first mentor. You remember the arc of an apple she slipped from a market stall, how it sailed over the shade canopies. You remember how she sailed over a cliff, hooves slipping on wet stone.
(Did she fall? Was she pushed? You’ve never known, but you’ve suspected. You completed her last contract despite the heightened security. As the nobleman’s body cooled, you killed his head guard out of spite. Later, you spent hours cleaning the blood from your hooves. It dried and it stuck and it stuck and it stuck.)
Your mentor had often made contracts on her own, without an intermediary. She did still work with one, from time to time. It is good that she did, because you do not possess whatever quality she did. He takes a larger cut from your price than she ever did, but you grin and bear it. You grin and bear a lot of things.
--
You will be dead, if there is anything left for you to be. There is a table under you, and you are somewhat certain that this is not the first time you have woken up. You cannot fathom waking up again.
It is not all that surprising. You know full well that wind moves luck like it does the dunes — as likely to bury you as anything else. Assassins tend towards shorter lifespans.
A woman hovers over you, scalpel working. Your eyes follow it lazily, incapable of any stronger glance. You have the distinct impression that this should be threatening, but several moments pass before you are aware you have likely pressed that very blade to her neck.
Likely. Possibly. Everything is hazy. You think of the first time you saw fog hanging low, and you think this is what it is like to be fog.
“So, Princess, why are you saving me?”
Perhaps, she’s an angel. You’ve heard they exist, sometime before you were on this table. Sometime when you could keep more than three thoughts in a straight line. You do not think it’s all that likely if you are honest. Who would choose that? Who in this world has enough goodness or what have you to be an angel?
A sheltered rich girl, knee-deep in your guts. A girl you were sent to kill, though, arguably, it hasn’t been worth the effort. It’s certainly something else.
She ignores you, working steadily. You cannot fathom waking up again. You cannot fathom being anything other than dead or worse when this is over, so you try again.
“Why?”
She sighs, and you dredge up some amusement at that. “It doesn’t matter to me if you live or die — you’re useful either way. That’s all.”
Huh. Honesty. You think you like it. You don’t think it for very long, of course, because the siren call of oblivion lulls you away.
--
How long have you known Ruth? It is immaterial. (It is three years.) It is the rest of your life.
--
You meet Ruth’s mother once. That is not to say you didn’t see her in the house, but you
meet her only once. You don’t think most ever get to meet the woman, really.
(You could say twice, if you count being borne before her, mostly dead, by guards. You have little recollection of what was said beyond an admonishment not to stain the rugs. It fit what you knew of the woman.)
You stand next to Ruth, mouth still full of clever arguments. You don’t know if you’ll be expected to speak, so you rehearse what you have convinced Ruth with already. There had been a city guard there to impale you that day, but that there had been at all was an aberration from the norm. You carved Ruth’s schedule into yourself long before you held a blade to her throat. Daily, she travels alone to and from the hospital, to and fro anywhere she wishes to go.
If she were any one of her siblings, she would be followed by an entourage. By well-wishers and guards and hanger-ons and lovers and friends and schemers. It is why it would have cost so much more for you to kill one of them. It is why it would have cost
you so much more.
One trusted guard would be enough to make the difference for Ruth.
If, that is, she can trust you. You think she can, eventually. It would make you more useful if she did.
“Mother,” Ruth begins,
“I’d like to hire this man as a guard.”
Lady Keturah’s gaze drifts up slowly, and it doesn’t rest on you long. It lingers on Ruth a little longer.
She agrees without argument, only instructing Ruth to talk to the steward. You set your jaw and say nothing.
You had expected to have to fight for your life, when you’d hatched this scheme to
live. You had expected that your status as her daughter’s would-be killer to spell your doom, if you’re truly honest. You wonder if she even cares that Ruth almost died.
You follow Ruth out of the room, and you think about how it only takes a little gilding for someone to forget the base is rotten wood.
--
The sun rises. Its long rays stretch out across the sand, across the city. The wind picks up, and you taste sand.
You are facing the future incarnate, that eternal symbolism.
If anyone asks, you love the dawn. You love possibility. You’d give them your best glass-half-full answer.
If anyone asks twice, and they won’t because who wants an honest answer to how are you? or what do you see in your future?, you’d repeat yourself slower and with more feeling. Maybe admit to actually fearing change, a little bit, because vulnerability is a hit with any crowd.
No one asks, and you can admit to yourself you feel an ill wind blowing.