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the difference between ichor and iron - Orestes - 10-04-2019 YOUR HEART AND MY HEART ARE VERY OLD FRIENDS
Orestes’ companions currently consist of the yearling courtier who runs his errands, and a half-starved cur that lives on the street outside his quarters. Orestes had thrown the dog a scrap one time and the canine had taken it as an invitation to move into the palace. In other words, Orestes has no friends. The castle is empty to the point of eeriness, and he thinks far too much, far too often. Orestes has always been a creature of action, and the threat of inaction is in itself a prison. He feels the madness gnaw at his edges like a dog at a bone, his doubt and fear compiling into a thing of self-deprecation. The sea does not sing and in her silence he can only hear his failure, again and again and again, and that silence follows him in his dreams and in his waking and all he can do to quell it is glance out at the streets and hope it is all for a greater purpose. How does it feel, She had once asked. How does it feel, to be the last? He had pushed his head against the bars between them, close enough she could feel the heat of his skin, but not touch it, and his lips almost brushed her shoulder, but couldn’t, he said, “Like this.” Orestes stares out the window, where the city spreads symmetric and grand. He stares out the window toward a foreign peoples that make his heart grow, and grow, and grow, and he thinks it feels like being a small fire in a great storm. He could have stood for eons. But there is a frantic clatter of hooves against the sandstone floor downstairs, and he listens to the echo clip-clop its way to his chambers and study. There is the courtier, dark bay and out of breath, saying, “The Night Court Emissary has arrived.” Orestes turns to follow him, looking back, still, over a shoulder—beyond the city, to the outer wall and the cresting sun, thinking It feels like holding your breath for something to change, and hoping it is for the better. He does not say this. He says, “Thank you, Charles.” And shakes his head into the present. Into the now, spectacular and aching. His courtier leads him out of the palace into the streets, then beyond, at that half-run half-trot, until they are beyond the gates. The half-starved hound follows up until he can see out toward the desert, and stops, staring forlornly after the pair. The streets of Solterra's capitol are still too quiet, too starved, and the gaunt hound reflects it. “Charles, I thought you said they were here.” Orestes tone, at first, sounds stern. But when the yearling glances at him apprehensively, there is a butterfly-soft smile on his lips that dances like a shift of light. “I didn’t want us to be late, sir.” And Charles’s bonded, a Harris’ hawk, launches from the yearling's shoulder to guide them in through the dunes. They stand waiting at the outer gate of the city; long moments pass before Orestes’ sees three dark shapes cresting a dune. A Solterran sentry leads them closer, closer, closer, and the hawk circles overhead as though to mark their passing. The desert does a funny thing to time. It makes each second seem infinite, in the way the ocean never did. The ocean is too much movement, too much ferocity—but the desert is still and patient and always waiting, with half a breath held. At last they are near enough to speak, and Orestes dips his head in a respectful bow. “It is a pleasure, Moira.” It is the name Charles has given him, for the winged mare. He does not know her companion and offers a sheepish, apologetic smile. “I was not aware there would be two of you, I apologise. The pleasure is mine. I am Orestes, and you are…” He trails off, waiting for an introduction. Even as he speaks, his words sound strange, too incomplete; there is no song to them, no undertone of... of more. His heart aches for a moment, fierce and poignant, but there is no language to convey what he has lost, that speaking was only ever half his poetry. Stop, he demands of himself. And so, Orestes does, and asks: “Would you prefer to rest before escorting me? I hope the desert was not too hard on you.” He thinks it was, because it is hard on everyone, and it is something he loves fiercely about it. Orestes
RE: the difference between ichor and iron - Minya - 10-25-2019 MINYA
take that look from off your face you ain't gunna burn my heart out Their hooves are a choir of song as they step together through the empty castle walls. She moves through these barren halls like spring upon the vestiges of winter. Minya is a spark of colour. She is the grace and beauty of night that fills Solterra’s halls with wild fires and wilder dance. Always has she felt wrong in her beauty, even as she bathes in it as though it were a bath of gold. Yet never has she felt this wrong. The winter-barren halls of this palace echo with turmoil and emptiness. The sound of the Night Court’s feet are all the music she thinks this place has heard. Her gold jewellery feels cheap as it chimes from her antlers. Minya is a swan within a drying lake. Though her skin is steel-sleek - though she gleams as polished silver - her body the hue of a gathering storm, sand and dust cling to the hot of her torso. Night’s splendour pours down the slender arch of her throat, pooling in fuschia pink at her feet. Her tail is a silken train behind her, long and elegant and tinged with dirt. Ah, all of Minya is the truest she has ever been. The sand and dirt upon her skin are as bold as the memories of the servant girl she was as a child. So familiar is she with the dust and the dirt that she does not realise the way she wears it as if it is a sheer garment. The Scarab girl moves beside Moira; a dancer beside a politician. Oh what mockery of a greeting team is this? They step into the throne room, into the presence of a king. If Minya is the grey of a gathering storm, the silver of ethereal moonlight, then the king is the brightest glow of Day. The sun crawls up his limbs, it claims him with tattoos that weave a story of sunlight across his flesh. His hair curls as solar winds and Minya wonders how it might burn her skin to touch him, for just a moment. The king welcomes Moira first and Minya does not move from where she tips up her chin and stands like revelry. Then his gaze is upon her and it is as though the sun burns in through the steel of her skin, as if it melts the metal of her. She might flinch, she might turnher gaze away as if pliant. Yet Minya has not been a servant for many, many years. Beneath the glitter of her thick lashes she sets her silver eyes to meet the gold of him. Moira’s feathers brush along her slim sides as they stand close, united. “Minya.” She finishes for the king. “My name is Minya,” the Scarab girl affirms as she lowers into a graceful curtsey. “We have come to congratulate you on your ascension, your Majesty, and invite you to spend time with us in Denocte.” Her voice, warm as whiskey, trails off as her gaze turns to Moira, waiting upon the emissary to finish. @ | "speaks" | notes: spoopy! <3
RE: the difference between ichor and iron - Moira - 10-29-2019 @ RE: the difference between ichor and iron - Jahin - 10-29-2019
He sees her between wake and sleep. He wakes in a cold sweat as she shatters all of his dreams. Night after night. How does she know, even in death as she did in waking, how to hit him where it hurts, how to make him bleed? He sighs, his forelock beaded in sweat and salt. He rolls to his hooves, shedding the silken embroidered blankets to the cold marble tile. He has never been surrounded by such comfort, such easy, unearned luxury. I don't belong here. He says it to himself every day, over and over again. He longs for the hardness of the earth and the openness of the endless desert sky overhead. He yearns for the possibility of a scorpion sharing his bed and for the freezing temperature of the desert night to burn his skin. Every day he spends behind these magnificent, shining walls is another he doubts himself. And yet. He persists because it is what he has promised to do. He remembers his promise with every rising sun, with every ray that streaks across the grey dawn. I promise. He promises himself, he promises Avdotya, he promises Makeda. He promises Solterra. He hopes it is enough. He walks restlessly this night, eager to work off the cold sweat lingering upon his skin like winter frost. Aimless. Lost. Both. He walks the palace halls. He's vaguely aware of the guard that tails him valiantly and determinedly. He ignores the young man. He's just doing his job, he thinks idly to himself, as you did all those years ago, without question. And where has that gotten you now? He recalls the contradictory feeling that swelled within his breast as Orestes spoke his name that day. Jahin, son of Davke. Pride. Shame. How can it be both? He has stopped asking that question, but thinks about it every now and again. He is no one, and yet he is the second son of Solterra after Orestes. Orestes. He paces the palace halls. He does not know these winding pathways yet, just as he does not know Solterra's new king. Jahin's shadow stretches down the marble floors, illuminated by flickering, glowing torchlight. He exits the castle walls and finds himself in the belly of the desert. Home. Dawn has come and gone. He finds himself waiting...waiting...waiting for Avodtya. But of course, she does not crest the dunes. Will she ever speak to him again? He finds it more bearable to ignore the hope he feels lingering like persistent, glowing embers in the wake of a cold spell. Crush it, smother it. If she wishes to speak with him she will find a way. For now, he is alone. Or is he? His brows furrow--he squints against the morning sun. Orestes? The golden flame of the Solterra king's skin and shimmering tattoos amidst the sand and glittering light of the morning sun is unmistakable. Despite the figurative canyon yawning between them, Jahin immediately pursues Orestes. The new king is flanked by a guard; leggy at that. Young, obviously. His frown deepens, but he refrains from ruminating on the matter. Another time, perhaps, when king and regent have gotten to know each other better. Jahin is not shy in his appearance and makes his presence known, striding to the king's side. Two women. They are both beautiful, in a way that not even a poet can begin to describe easily. One has the hair and winged feather of a glittering bonfire and dying star; the other the hair the color of spilled wine and a voice like honey. He recognizes neither but catching the last remnants of the conversation is enough. Night Court. "He will not be alone," he replies evenly as he approaches, his voice resolute; his resolve absolute. Jahin does not offer his name, he does not offer salutation. There is only a promise to Solterra that lingers in the air, for better or worse. @ |